We use broadcast-quality camera systems designed for reliable performance in corporate environments – including conferences, event video production, live streaming services, and executive communications.
This page outlines the equipment we use and why it is suited to real-world production conditions.
Our cameras offer strong low-light performance and comprehensive onboard audio control, allowing clean integration with venue sound systems.
Key benefits:
Professional capabilities:
For projects that require a more flexible or visually driven approach, we use large sensor 4K camera systems.
These cameras are typically used for:
They offer increased resolution and greater control over depth of field, allowing for a more refined visual style where appropriate.
From a production perspective, 4K capture also provides additional flexibility in post-production.
Footage can be reframed, cropped, or adapted for different formats without compromising quality – particularly useful for social media deliverables or when multiple outputs are required from a single setup.
Our systems support 10-bit 4:2:2 recording, providing strong colour information for grading and consistent results across different deliverables – particularly beneficial for colour correction and chroma key (green screen) work.
Many corporate venues use LED walls or presentation screens, which can cause visible flicker on camera.
Our camera systems allow for precise shutter control to eliminate flicker and ensure stable image capture during presentations.
Clean audio is critical for corporate video.
Our cameras support professional XLR audio inputs, allowing direct integration with venue audio systems or independent microphone setups.
This ensures reliable, balanced audio capture for:
We use SDI-based camera systems for reliable signal transmission over longer distances.
This is particularly important for:
For highlight content and dynamic coverage, we offer stabilised video using gimbal systems.
Gimbals make camera movements feel more natural and help create more engaging content.
This is typically used for:
The DJI Osmo Pocket 3 is a practical second unit – built for rapid deployment and quick action.
While it’s not as capable as a full gimbal setup, it offers clear advantages when speed and simplicity matter.
We have extensive experience creating a controlled cinematic look.
Before the rise of affordable cinematic video cameras, we developed practical ways to achieve this within broadcast workflows. The example below, filmed for a documentary on the Sydney Conservatorium of Music, used a depth-of-field adapter alongside a DSLR camera.
The depth-of-field adapter allowed the broadcast camera to emulate a larger sensor look, while the DSLR provided support as an additional fixed angle.
Camera: Thorsten Joses