Camera Equipment
We strive to deliver optimal results for your project by utilising a diverse range of camera equipment.
Our objective is to surpass your expectations and achieve your goals effectively.
We strive to deliver optimal results for your project by utilising a diverse range of camera equipment.
Our objective is to surpass your expectations and achieve your goals effectively.
Our broadcast video camera equipment is based around Panasonic’s high end P2 cameras, which are some of the most versatile cameras available.
The cameras are ideally suited for corporate events or fast paced TV jobs. They have good low light qualities and offer comprehensive audio controls for the operator. Another advantage is the ability to quickly eliminate flicker caused by LED screens or lighting.
Our cameras allow cost effective productions while offering 4:2:2 colour quality. That’s a big advantage when the footage needs to be colour corrected in post production or chroma keying (green screen) is required.
Key benefits:
Our ‘DJI Ronin SC’ stabilisation system allows smooth handheld motion video, similar to Steadicam applications but with a much smaller footprint. We capture vision up to 4K resolution. The set-up is very quickly assembled and provides a great solution for highlight video upgrades or any piece to camera.
Features, music clips and highlight videos are mostly shot in a cinematic style. We have been early adopters and are specialists in creating this highly sought after narrow depth of field ‘film look’. We opted for SONY large sensor cameras like Sony’s FX6, FX30 and A74 in combination with high speed prime and zoom lenses.
Choosing the best camera for the job depends on the intended use of the video, the available budget and the workflow of the production. Compact mirrorless cameras are a great choice for smaller budgets and Sony’s A7s sensor based cameras have the added advantage to work brilliantly in extreme low light situations.
We have extensive experience in creating the highly sought after ‘film look’ for video productions. Long before compact mirrorless cameras became available to the market, we were able to offer our clients budget friendly ways to achieve this:
From footage shot for a documentary about the Sydney Conservatorium of Music. 1’14”
The filming equipment consisted of:
The DoF adapter emulated the equivalent of a much larger sensor for the broadcast camera while the DSLR camera mainly provided support as a second locked off shot.
Camera: Thorsten Joses